The Children’s Museum of NH’s 5K Road Race had a good 34 year run, but is now coming to the finish line. Saturday, May 4^th, 2019 will be the last road race organized and hosted by the museum, which is the first race in the Seacoast Road Race series.

“When we first started this race in 1985, it was one of our very first fundraisers, and it happened to be at the beginning of the road race movement,” shared CMNH President Jane Bard. “At that time, and in the many years that followed, it served as a wonderful community resource, and we are so grateful to all our participants, sponsors, and Seacoast Road Race Series partners for making it such a fun and festive event over the years.”

However, with the increased number of road races available to runners in the area “it no longer seems like it is the best use of our time and efforts,” shared Bard. “With our mission being focused on actively engaging families in hands-on discovery, we feel our other numerous events and programs better serve that function.”

“It was not an easy decision,” said Bard. “This year, our 35^th anniversary year, we spent a lot of time looking back over our history, but also reflecting on the paths we want to blaze in the next 35 years. Change is tough, but it’s necessary!”

Those new future paths may include an event that reflects the popular Kid-venture Course that was developed as a silly obstacle course for kids ages 1-10 and happens the same morning as the 5k. “Our participation in the Kid-venture Course continues to increase each year, so that tells us a lot,” said Bard. “We’re also planning to repeat some popular new fundraising events that we debuted this year like Cider Flights & Tasty Bites and Mini Golf in the Museum.” 

For those runners or walkers of all ages hoping to enjoy our race one final time as we say goodbye to this signature event, discounted $22 online registrations are being accepted through Friday, May 3^rd, or you can register at the race itself on Saturday, May 4^th for $25. The certified 5k course through downtown Dover starts at 9am at the intersection of Central Avenue, Washington Street and Henry Law Avenue. The Kid-venture Course, which has a superheroes theme this year, will take place in lower Henry Law Park at 9:50am, and discounted online registration costs $8 in advance or $10 on race day. The morning features a festive atmosphere full of awards and prizes, activities with some of our sponsors, and great food including La Festa Brick oven pizza, Panera baked goods, Terra Cotta Pasta pasta salad, RiverBend sandwiches, a top-your-own yogurt bar, water and granola bars sponsored by Hannaford, fresh fruit and more!

To learn more or to register, visit www.childrens-museum.org/things-to-do/events/5k-road-race-fun-run. The museum thanks it’s 2019 5K Road Race premiere sponsor Sprague, as well as Event Sponsors Relyco, Weathervane, Willem Verweij Physical Therapy, La Festa Brick & Brew Pizzeria, Seacoast Spine & Sports Injuries Clinic and Berwick Academy, and Supporting Sponsors Bob’s Discount Furniture, Burns, Bryant, Cox, Rockefeller & Durkin, P.A., Calling All Cargo Moving & Storage, Dover Honda, FORMAX, Hannaford, RiverBend Pizza and Subs, Runner’s Alley, Terra Cotta Pasta, and Wing-Itz.

Three Explorers Utilize Photography: Capturing the Ends of the Earth and Beyond

Gallery 6 Exhibition Title: Terrestrial Portals
Exhibition Dates: January 11 - March 29, 2019
Reception: Friday February 1, 5-7pm, during the Dover Art Walk
Artists: Cassandra Klos, Justin Levesque, Michael James Murray

About the Exhibit:

The most wild frontiers can be those in which life tries the hardest. Forget about animal predators: the most awe-inspiring and powerful force is the environment itself. Three artists: Cassandra Klos, Justin Levesque, and Michael James Murray, are fascinated by the challenge and allure of such landscapes. Through photographs of vast horizons; sometimes altered, and sometimes seemingly untouched, their work chronicles the intrepid results of human exploration. Klos, Levesque, and Murray raise notions of existence, connection, and adaptation.

In this exhibition, brown and red toned Utah soil meets pure white and blue Arctic ice. 360 degree “spherescapes” of the Earth are just peculiar enough to reference other worlds. Through missions on the Mars Desert Research Station (Klos), to Iceland and the North Pole (Levesque), to our coastal Maine backyards and beyond (Murray), Terrestrial Portals takes us on a journey to both new and familiar places. Through insightful panoramas, each artist puts our imaginations to work.

These land portraits ask us to picture ourselves behind photographer’s camera. What outfit do you think you would wear on Mars? How would you keep warm and dry in negative degree temperatures? How might you respond to completely foreign surroundings? You would you learn how to use specialized technology, skills, and tools. You would acclimate. Soon, your eyes would adjust to the bright reflective sun, and you would develop the language necessary to communicate with mission control. Your livelihood would require a new normal.

The concept of solitude might come to mind as you look at these photographs. Consider how explorers leave their hometowns, family, and friends, and head for the unknown. Choice, and the possibility for return, let us call this experience “adventure”. Virtual contact helps travelers feel connected, and sharing networks allow them to shape their own narrative. Alone-ness, and consequently, space itself, have evolved literal and figurative meanings in the digital age.

The sharp detail depicted in these images shows us that on our very own Planet Earth, there are endless, beautiful vistas waiting to be found. Open your eyes wide, for Terrestrial Portals.

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No admission fee is required to view the art in Gallery 6. Regular admission applies for families who wish to also explore the rest of the Museum. To learn more about this art exhibition or about the Children’s Museum of New Hampshire please visit www.childrens-museum.org.

Artists’ Biography and Statement:

Cassandra Klos

Bio: Cassandra Klos is a Boston-based artist. Born and raised in New Hampshire, she earned her Bachelor of Fine Arts in 2014 from the School of the Museum of Fine Arts, Boston at Tufts University. Her projects focus on manipulating the validity of photography and creating dual realities that breathe life into situations where visual manifestations may not be available. Her photographs have been featured in group exhibitions across the United States and in solo exhibitions at the Griffin Museum of Photography in Winchester, Massachusetts and the Piano Craft Gallery in Boston, Massachusetts. Her work has been published in The Atlantic and The Boston Globe and her photojournalism reporting has been published in TIME Magazine and Wired. She is a Critical Mass finalist, the recipient of the Yousuf Karsh Prize in Photography, a United States Emerging Photographer Award from the Magenta Foundation, as well as a Traveling Fellowship Grant from the School of the Museum of Fine Arts, Boston. In 2017 she continued her role as artist-in-residence of the Mars Desert Research Station and led the first mission of compiled of artists as Commander of Crew 181.

Statement: We are inundated with information about the cosmos, whether it is the appearance of water on a different planet or landing our man-made satellite on a comet. It is clear we are awed by this celestial imagery we cannot comprehend, and yet this unknown contributes to a need for exploration past our comfortable bounds. The interest of expanding the human race onto the planets around us is not a new concept, but only since the last few decades has the scientific community truly explored the idea that our neighbor planet, Mars, may be more like Earth than we ever considered.

With prototype space suits and diets consisting only of freeze-dried food, people from around the globe are dedicating weeks to months of their lives simulating the Mars environment to further the study of leaving Earth behind. To most of these pioneers, their only wish is to be a small part of the geological, biological, and psychological research that will propel us to the cosmos. Simulation sites such as NASA-funded Hawai’i Space Exploration Analog and Simulation (HISEAS), the Mars Desert Research Station (MDRS), and the Human Exploration Research Analog (HERA) create a simulated experience that blurs the line between reality and fantasy; a realm where the air is unbreathable, contact with loved ones is limited, and the dependence and cooperation of your crewmembers becomes center focus.

Justin Levesque

Bio: Justin Levesque is an interdisciplinary artist living and working in Portland, Maine. He received his BFA in Photography from the University of Southern Maine in 2010. Levesque is a Maine Arts Commission Artist Project Grant recipient (2015, 2017), and in 2015, was selected as one of thirteen emerging photographers under 30 in Maine by Maine Media Workshops + College's PhoPa Gallery. Levesque has exhibited throughout New England and nationally at Midwest Center for Photography in Wichita, KS; Terrault Contemporary in Baltimore, MD; and JanKossen Contemporary in New York City.

In 2015, he created an independent artist residency aboard an Eimskip container ship sailing from Maine to Iceland. In 2016 Levesque then installed a public art intervention in a shipping container about his residency with support from The Kindling Fund, an Andy Warhol Regional Regranting Program administered by Space Gallery.

In response to his work about Maine's emerging relationship to the North Atlantic and Arctic, he was invited to be a fellow of The Arctic Circle artist residency in Svalbard, just 10 degrees from the North Pole, in June 2017.

Statement: Justin Levesque approaches his interdisciplinary practice with a consideration for the materiality and tradition of formal photography and its relationship to consumer technologies, digital aesthetics, objects, and systems. His work forms a connected visual network that’s preoccupied with the contemporary proliferation and consumption of images, feedback, and combinatory methods of picture-making in the evolution of populist visual language online. Levesque participates, undermines, and manipulates within these forces to imagine the implications of an increasing digital experience. He confronts how their form takes shape within future, unknown possibilities and visualizes current shifts in cultural paradigm as they pertain to corporeal complexity, data as the new divine, spatial simulacrum, and the way a place thinks about another place.

Michael James Murray

Bio: Michael James Murray is known for his 360 degree spherical panoramic photographs depicting a visual journey of the perpetually changing world. He has exhibited throughout NY State. Michael’s book “Worlds Apart,” was nominated for a Lucie Award and has been collected by many institutes such as RIT, The Avery Architectural and Fine Arts Library at Columbia University, and Baylor University. His work has been collected by NYU Langone Medical Center: Center of Men’s Health and Trinity Practice. Murray’s work is included in many private collections all over the world. Born in Rochester, NY, primarily self-taught through assisting commercial photographers, to then becoming a photographer focusing on his own art form. He lives and works in Lisbon, Maine with his family.

Statement: My photography deals with the 360 degree space compressed into a spherical panorama. The lack of constraint imposed by working within a specific field of view allows me to explore in depth the relationship of objects, structures, and textures in both the natural and manmade world. I use the camera to investigate places where man and nature intersect, analyzing primeval worlds of earth and stone as well as the will imposed on them for better or worse by man.

My process emphasizes the overall atmosphere of the images, drawing greater attention to the interrelation of light, form and texture. By photographing the world this way the camera is omnipresent. Allowing for an epic narrative of the complexities and intricacies of a space whether it be the disorder of ancient ruins in Rome, the pristine skyscrapers of New York City, or densely variegated geographic formations in the American Southwest to emerge.

What I enjoy most about my process is how I make my photographs. I never use the viewfinder of the camera to compose the image. I take note of proximity of objects and structures to the camera. I’ve developed a sense of “echolocation,” I can “feel” if an object or structure in a space is too close or far away and move the camera accordingly. I endeavor to feel consumed by the space I’m in. To make one 360° spherical panoramic photograph, I require at least 30 individual images. Atop my tripod is a high resolution digital camera attached to a special mount. It ensures that each image is precisely aligned with the others surrounding it, and that each image overlaps by the same amount. This is essential for the next step in the process. Because all the images are precisely aligned and they all overlap by the same amount, I am assured that the final composite image will be free of errors and will blend seamlessly. I use specialized software to organize and process my raw images, and specialized software to assemble them into a finished image. Adobe Photoshop rounds out the process by allowing me to precisely adjust contrast, color, and tone. Recently I have incorporated a drone with a high resolution camera in order to make aerial 360° Panoramas.

About the Children’s Museum of New Hampshire

The not-for-profit Children’s Museum of New Hampshire is located at 6 Washington Street in Dover and offers two levels of hands-on, interactive exhibits for children from newborn to middle school. Children can explore a wide range of subjects, from dinosaurs, music and aeronautics to world cultures, art and natural history. Open year-round, the Silver LEED-certified museum specializes in creating memorable family learning experiences and works closely with schools, social service agencies and educators. The museum also hosts a variety of live performances, workshops, classes and special events for families. For more information, please call the museum at (603) 742-2002 or visit www.childrens-museum.org

As 2018 draws to a close, all of us at the Children’s Museum of New Hampshire want to take a moment to thank you for choosing to spend your precious family time with us this year.  Life is busy and childhood is fleeting, making the time to connect with loved ones and create joyful memories more important than ever. 

Your children may not remember this year’s holiday gifts a year from now, but they will remember piloting the Museum’s Yellow Submarine with you as co-pilot, making you a meal in the Kids Cafe, meeting their favorite book character, and simply laughing, learning and being together with you.

In 2019, we will continue to fulfill our mission of engaging families in hands-on discovery through new programs and exhibits such as a Family Book Club and Mini Golf at the Museum, the Lights! Shadow! Action! interactive classroom, and the outdoor Play Patio. As a non-profit Museum, all of these initiatives are only possible thanks to the generous support from foundations, businesses and individuals.

Here’s to a new year of inspiring children and nurturing connections with family and friends!

Jane Bard, CMNH President

The Children’s Museum of New Hampshire Celebrates A Big Year

The Children’s Museum of New Hampshire is marking its 35th birthday in 2018-19 with a year of events celebrating the past and looking ahead to a future dedicated to creating experiences that engage and inspire the next generation of innovators and creative thinkers. With exhibit overhauls and expansions, a Free Family Fun Day, Art Raffle and more, the museum is celebrating in style all year long.

Origins

When the museum first opened on Saturday, July 30^th, 1983 as the Children’s Museum of Portsmouth in the old South Meeting House on Marcy Street, you could see the inspiration of its co-founders everywhere. Ona Barnet and Denise Doleac were both educators as well as fans of children’s powerful curiosity. “It’s no surprise that we would talk for hours about Maria Montessori, and self-directed learning. Over coffee we talked about what an outside-of-school environment designed to encourage a child’s natural love of investigation might look like,” shared Denise Doleac. After much conversation and thought, they decided it just might be possible to create such an engaging and fun exploration center for families right there in Portsmouth. “There were very few Children’s Museums back in 1981 and those few were in large cities. So creating the Children’s Museum in a city of 24,000 people would be an interesting adventure indeed.”

After two years of planning, permits, fundraising and educating people about what a Children’s Museum was all about, the museum welcomed 400 children and their grown-ups to its grand opening. Anna Goldsmith, who was 9 at the time and quoted in a Foster’s Daily Democrat article written by Peyton Fleming, said “I think this is really neat because there is already enough stuff for adults. Grown-ups already have bars and discos. But finally they’re creating something for the kids and I think that’s good.”

Rachel Janowitz, another 9 year old, was also quoted in the same article as saying “We will be able to experience a lot of things we couldn’t experience before, because the museum wasn’t here." 

That first year, the museum welcomed 27,000 visitors. The original exhibits included the Yellow Submarine, built by Architect Christopher Clews, three Commodore 64 computers, a hospital room with equipment provided by the Portsmouth Regional Hospital, a factory assembly line where children could create leather bookmarks, a video room, and a small radio station dubbed WFUN.

A New City

Over the next 25 years, exhibits changed, membership grew, and a constant stream of innovative programming attracted larger and larger crowds to the tiny South Meeting House. “Around 1995, Museum Trustees and our founding Director Denny Doleac began considering the idea of expansion,” shared Jane Bard, current CMNH President. “Although we loved the charm, history and location of our home in Portsmouth’s South Meeting House, we simply didn’t have enough space for exhibits, classrooms, visitor amenities or parking. Our staff worked off-site in a separate rented space and there were often long waiting lines to enter the Museum when we reached the building’s capacity.”

After a decade-long search in Portsmouth and subsequent meetings with city officials in Dover who recognized the benefit of locating the Museum in a soon-to-be-empty Butterfield Gym in downtown Dover, it was decided that the Children’s Museum of Portsmouth would move to Dover and become the Children’s Museum of New Hampshire. After raising funds to completely renovate the new location, and design and create new exhibits for a space four times the size of its former location through a $3.2 million Capitol Campaign, a grand reopening ribbon cutting ceremony, mirroring one that happened 25 years prior, happened on July 26, 2008. The former Butterfield Gym was converted into two floors of accessible, interactive, hands-on exhibits that not only reflected the exhibits that had become childhood favorites, but also expanded to embrace the new museum’s natural and historical environment as well.

The Yellow Submarine, a favorite exhibit that became the unofficial symbol of the Children’s Museum of Portsmouth, still greets visitors as they enter the museum. However, the Yellow Sub has been redesigned to mimic a research submarine with a sonar gun, a listening station, working periscope, and control room where kids can navigate the sub through the waters beneath the Gulf of Maine. A new favorite, the Cochecosystem exhibit overlooking the Cocheco River explores the interchange between the natural and industrial environment of the Cocheco River and specifically examines how “engineers,” both human and animal, use the river.

A Community of Collaboration 

One thing that hasn’t changed since moving to Dover is the importance of collaboration between the community and the museum. “When we founded the museum, we really relied on local businesses who donated countless products, exhibit materials, and labor to help us get the museum going,” said Denise Doleac. “It was a true grassroots effort.” After a decade in Dover, current CMNH President Jane Bard agrees. “The success that we have had here in Dover has been in large part due to the community. We have been so welcomed and have had so many wonderful partnerships and it has made all the difference in what we’ve been able to accomplish.”

In 2017 alone, the Museum served nearly 93,000 visitors from 194 different New Hampshire cities and towns, all New England states and welcomed travelers from 42 states, two U.S. territories and eight countries.

The city of Dover has felt the positive impact of the museum’s presence as well. Gail Moore of Dover spoke of her hopes for Dover back in 2007 during a Dover City Council meeting. “Dover is turning into a better place to live. When I tell friends in other places that the Children’s Museum is coming to town, they are surprised and a little envious. The museum is part of Dover becoming a vibrant, active community for these times.” Fast forward to Brian Gottlob, a consulting economist, who analyzed the annual impact of the museum on the City of Dover in 2018. His brief, and unsolicited analysis suggests “the museum results in between $1.8 and $2.3 million in additional expenditures in the local economy (not including ticket sales or other expenditures at the Museum itself).”

Celebrating & Looking Ahead

After 35 years of innovative programming, artistically designed exhibits, and engaging with literally millions of visitors, the Museum is looking ahead to what will come next. Some things will remain the same, like the museum’s commitment to early learning to build healthy brain architecture, S.T.E.A.M. (Science, Technology, Engineering, Arts, and Math), access for all children and families, and its founding principle that kids thrive when given the space to explore and discover.

New adventures are being crafted right now hidden away in the museum’s basement workshop. The One World exhibit, a group of three spaces that explore different cultures from around the world, will be updated this Fall to include a World Market complete with spices, clothing, masks and musical instruments from Indonesia, India, and Mexico - cultures represented in local New Hampshire communities. Children can “purchase” items in the market and bring them next door to prepare and serve food in the World Café or participate in a festival celebration. 

Over the next five years, the Museum will be investing in creating and updating its visitors’ experiences through the Play Expansion Project. In the next year alone, the Museum will be developing an outdoor Play Patio that will provide a space for messy play with bubbles, water, paint as well as sensory exploration and a picnic area. The Museum will also be updating an existing classroom into a new Interactive Classroom that can easily convert to an exhibit space with a flick of the switch featuring interactive light, color and shadow activities when the room is not needed for school programs. Both projects were made possible thanks in part to the $100,000 tax credits the museum recently received from the NH Community Development Finance Authority and grants from the Abbie F. Moseley Charitable Trust and the McIninch Foundation.

35 Years of Art and Creativity 

Since its inception, the Children’s Museum has always featured art and art making, and even has its own in-house Art Gallery filled with exhibitions by local professional artists. Many of the walls of the museum itself are painted with beautiful murals donated by local artists, and several pieces of the museum’s “permanent collection” are exhibited proudly. With so many years of art gracing its walls, the Museum was thrilled by the outpouring of support from the 35 artists featured in the current Gallery 6 art exhibition “35 Friends: 35 Years of Art and Creativity.”

The art on view this summer ranges from a collage by Sarah Haskell who presented art workshops in both Portsmouth and Dover, to an abstract watercolor by Rebecca LeCain who is not only a CMNH Experience Guide, but also helps with creating the exhibits, including the mural currently hanging on the façade of the museum. Subject matters include dinosaurs, colorful butterflies, robots, landscapes, and of course, kids. 

Most of the art in this exhibition is part of a summer-long raffle. A sheet of 20 raffle tickets can be purchased at the front desk of the museum for only $5. Participants can then choose their favorites and take a chance to win them. The winning tickets will be pulled on Sunday, September 30^th at 2pm.

A Quacky Good Time 

Also happening in September 22^nd is the first ever Free Family Fun Day at the Children’s Museum, featuring a Dover Ducky Derby. The museum will throw open its doors and invite everyone to play for free all day from 10am-5pm. Visitors can participate in a variety of favorite activities from the last 35 years and enjoy performances and special guests. The Dover Ducky Derby will start at 1pm when a huge flock of adopted yellow rubber ducks will be launched from the Washington Street Bridge and race down the Cochecho River, which flows behind the museum. The first five ducks to cross the finish line will score prizes. Ducks can be adopted all summer long at the Children’s Museum of New Hampshire or online: $5 for one duck, $50 for a gaggle of 12 ducks, or $100 for a flock of 50 ducks. The Dover Ducky Derby is a joint fundraiser in collaboration with SEED (Seacoast Educational Endowment of Dover).

In Conclusion

A lot has changed in 35 years. Commodore 64 computers are obsolete. Pluto isn’t a planet anymore. They changed math. And Children’s Museums are universally understood with over 400 children’s museums in the country compared to about 80 thirty-five years ago. “I don’t have to explain what a Children’s Museum is when people ask me where I work,” said Neva Cole, CMNH Communications Director.

“Back in 1983 it was a challenge to convey the concept of this very different type of museum, and convince people that it would be a viable, meaningful resource for area families, schools and the community,” said Denise Doleac, CMNH co-founder. 

“Thanks to Denise and Ona, and all the board members, volunteers, staff, artists, performers, businesses, foundations, individual supporters, and community organizations, we will be able to continue our mission of actively engaging families in hands-on discovery for many more years to come,” shared Jane Bard.

“We invite everyone to join us as we celebrate 35 years and counting!”

by Jane Bard, CMNH President

What’s new at the Museum?  is the most commonly asked question when myself and my Museum colleagues are out and about in the community.

Before looking ahead, 2017 saw growth and change to best serve the 93,000 plus individuals we served last year.  New experiences for our visitors included a new Thinkering Lab exhibit in January, to a major refresh of the iconic Build It-Fly It exhibit in the Fall, three new Gallery 6 exhibitions throughout the year, and the opening of the new Dover Adventure Playground outside our doors in June. 

 To deepen our impact, we created new curriculum-based programs for schools, our first-ever Grown-Up Play Dates and the We All Belong program for immigrant families. One of our most ambitious projects took place behind the scenes, an investment in a point-of-sales and database system that is helping us become more effective and efficient.

So what is in store for 2018? We will be celebrating our 35th anniversary and 10th year since becoming the Children’s Museum of New Hampshire and expanding in Dover by continuing to offer the same great programming and exhibits you’ve come to expect from us, while continuing to refresh these experiences and listening to the needs of our audience. Our One World exhibits will be getting a new life, introducing visitors to new cultures representing local immigrant populations through arts, culture and food. New signs within our exhibits will highlight the ways children are learning as they explore. Favorite programs and events will continue, while plans are underway for a special anniversary events in the summer and fall, so stay tuned!

The Children’s Museum of New Hampshire in downtown Dover offers a variety of weekday science classes for preschoolers, as well as homeschoolers but is now offering parents an added bonus during a Monday science class.

The museum’s popular Junior Science Explorers class for kids ages 3.5-5 is now being offered on Mondays, a day the museum is closed to the public. Families who have a museum membership can not only sign up their kids for the class, but any younger siblings can now join parents on the 2^nd floor of the museum to play in the exhibits while their older siblings are in class. This is a benefit that’s exclusive to museum members and is only offered while the Monday class is in session.

This November’s Junior Science class theme is “Incredible Animals” and will invite junior scientists to explore habitats, animal tracks, survival techniques and more. The class runs Mondays, November 6 through December 11 from 1:30-2:15pm.

These 45-minute structured science classes are $60 for Members and $70 for Non-members. Pre-registration is required. Call 603-742-2002 to register.

The Children’s Museum of New Hampshire in Dover has started a series of adult evening events called “Throwback Thursday: Grown-up Play Dates,” where adults 21+ can have a chance to play in the exhibits, do funky science experiments and crafts, and enjoy special drinks in the 7^th Settlement Brewery cash bar. To kick off the series they’ve planned a “Night at the BooZeum” on Thursday, October 19, 7-9pm.

“It’s something people request all the time,” shared Xanthi Gray, CMNH Education Director. “They want to get into the museum and play, whether they have kids or not!” Now is their chance to explore the museum’s two floors of hands-on exhibits including a giant pinscreen, a wall-to-wall Music Matrix, even an interactive augmented reality sand table.

7^th Settlement Brewery, who will provide a cash bar for the entire series, has created a specialty spiced rum cider drink for the October event. Two classic horror movies “Dracula” and “The Cabinet of Dr. Caligari” will be playing in the STEAM Innovation Lab. Guests will be invited to make spooky slime, dissect an owl pellet, craft creepy pinecone spiders and paper cats. “We’ll have do-it-yourself face painting and a scavenger hunt and people can even try to win a Gold, Silver or Bronze candy medal by challenging their friends in a mummy wrapping contest and fashion show, or by eating a donut off a string!” said Xanthi.

In coming months the museum has planned more themed Throwback Thursday grown-up play dates. November 16^th will be a “Bend & Brew” night with 3 Bridges Yoga instructor Gretchen Lamothe. January 18^th has an “Engineer Some Fun” theme with giant Jenga and an egg-drop challenge. February 15^th is “Messy Mayhem: Paint Night” for the aspiring artists. March 15^th is all about “Star Wars: A Brew Hope.” April 19^th will be a chance to celebrate with “The ‘Way Back’ Birthday Bash” featuring classic party games. Pull out the tux for the May 17^th “80s Prom” night. June 14^th will be a “Kick-off To Summer Party” complete with tie-dye, and sandcastle contests.

Guests must have a valid ID to attend. Tickets are on sale now online for $10 and are $12 at the door. The museum thanks its October Throwback Thursday sponsor, Atlas Heritage, LLC.

A unique, irreverent and fun event happened in Queens, NYC on Saturday, September 23 and it has a unique tie to New Hampshire. The Punk Rope Games IX has been held annually in New York City since 2009. A cross between the Olympics and Mardi Gras, the Games feature teams of 4 in costume, competing in 10 events with titles like the “Rubber Chicken Relay” and “Rope Skipping Barrel Race.”

This year, the majority of the registration fees from the Punk Rope Games, over $1,100, have been donated to the Children’s Museum of New Hampshire in honor of a recently departed museum volunteer, Vicky Haft. The Punk Rope Games are organized by her son, Tim Haft.

“My mom witnessed her first and only Punk Rope Games last year, less than two months before her untimely death,” shared Tim. “Watching the competition made her so happy as did volunteering at the Children’s Museum of New Hampshire. It seemed only fitting that this year’s Games be a tribute to both my mom and the great and important work being done at CMNH.”

Tim Haft created Punk Rope in 2004 to provide an edgy alternative to mainstream fitness classes. Their raucous classes for jumpers of all ages have taken place at gyms, community centers, bowling alleys, bars, breweries, city parks, art galleries, churches, playgrounds and even the Rock & Roll Hall of Fame.

“On the surface, the Punk Rope Games are an athletic competition, but what they are really about is expressing creativity in a youthful, playful manner,” said Tim. He adds “The costumes are clearly more important than the athletic feats!”

The Children’s Museum of New Hampshire is located along the Cocheco River in downtown Dover and offers two floors of interactive exhibits for kids ages birth to 12 years. The museum’s mission is to actively engage families in hands-on discovery and to inspire all to become the next generation of innovators and creative thinkers. “Something that Vicky believed in and certainly reflects our goals here at Punk Rope,” said Tim. “We hope the funds raised will, in some small part, help CMNH to more easily achieve its mission. Even if just one child is positively impacted, the ripple effect can be felt throughout the world.”

“We’re thrilled that Tim has chosen to throw the Games this year in honor of Vicky,” said Doug Tilton, CMNH Director of Visitor Services and Volunteer Coordinator. “She was one of my closest friends, and in the 9 years that we worked side-by-side at the museum, she transformed both the museum and me. I use Vicky as a guide star to help us keep the Museum as the kind, welcoming and nurturing place as it was when she was with us.”

Learn more about the Punk Rope Games at http://www.punkrope.com/about/punk-rope-games/.